Thursday, July 18, 2013

another dope Kickstarter campaign.

A quiet man with a long resume, Syl Johnson could have had a greater career, the kind James Brown or Stevie Wonder enjoyed. But, with a few classics tunes under his belt, he's still unknown to some people. What a shame... a heavily sampled soul artist (probably among the most sampled singers of all time), Syl Johnson's footprint can be heard under acts like the Wu-Tang Clan, Kanye West, De La Soul, Cypress Hill, Jay-Z etc. 
Lately, he's been reissued by the label Numero Group, with an impressive boxset which sums up his career.

Still, some people think Syl doesn't enjoy the success and fame he deserves. That's why a movie titled "Any Way The Wind Blows" is in the making to tell the story of the man who released classic albums like "Is It Because I'm Black ?" and "Dresses Too Short".

And you can all contribute to the funding of the movie, through the Kickstarter platform. The more you give, the more you get rewarded. Plus gratitude.



MF Doom.


Noisey/Vice published an article about the evolution of the man we now know as MF Doom (among other aliases and collabos). He evolved from being Zev Love X, a hip hop wonderkid with Kausing Much Damage, to disappearing only to resurface as the highly critically acclaimed metal face. 
An essential read for hip hop fans, especially those who missed the adventure of KMD. Doom was funky fresh back then. 

Wednesday, July 17, 2013

Yorke vs. Spotify.





Thom Yorke recently lifted the middle finger to Spotify and withdrew his most recent projects from the website catalog. 

And of course, in that era of communication we're living in, Spotify had to respond to the accusations

vinyl lovers.


I can't resist, I gotta share that with you : "36 Things Vinyl Collectors Love". I don't suscribe to everything, but it's a fun thing to browse.

UVinyl.

This is not a joke : Universal is launching a crowdfunding campaign to finance the reissuing of out-of-print vinyl albums. Yes, Universal, the major company is asking for money to offset the mistake it did somewhere around 20 years ago : abandoning the vinyl plate. 
Not long ago, I mentioned the example of Beat Delete, the crowdfunding platform of Ninja Tune. Well, UVinyl is the same for Universal. 
The Vinyl Project starts oddly : they initially stated that albums like "MTV Unplugged" by Nirvana and "Goo" by Sonic Youth would be part of the project, well, they won't, as they will be reissued through "regular channels". With announcements like this one, what can we expect ? For now, the service is not launched yet, but it should be soon. 
On another side, UVinyl allows you to order vinyl boxsets, for those who like that kind of bundles. It also showcases the existing "Back To Black" series, which has been running for a few years already.

Monday, July 15, 2013

the search for vinyl in Pakistan.

This is an editorial gem. Most of the (web) press articles I find about the vinyl revival come from the western countries, mainly Europe, North America and a bit of Australia/New-Zealand. But this one come from Pakistan
Sure, you'll come to the conclusion the passion for vinyl is shared all over the world, or almost. But in this article, you'll also find some poetry, particularly in the first story told. They should even make a film about it : a guy travels miles and miles just to listen to a record at a stranger's house. To me, that's a good pitch. 

Saturday, July 13, 2013

Egon's new home.


For his Funk Archeology series, a collection of web articles about digging deeper and deeper into obscure world sounds, Egon relocated from NPR to Red Bull Music Academy. 
The two latest episodes focus on corporate-funded music (Jingle Funk) and Australian music (Digging Down Under).

This guy is obsessed.

Beat Delete.

How many times did you feel awful when acknowledging that you had missed an opportunity to purchase a record, only to see this : "out-of-print" ? 
Well, what if you could suggest labels to reprint that same record ? 

That's the brilliant idea behind Beat Delete, a Ninja Tune-backed website. Of course, suggestions will work better for Ninja Tune and its affiliates, but there are other records in line, such as Mr. Bongo, Celluloid, Motion Audio or Brainfeeder. 

The website works a bit like a crowd-funding platform, so it's not very complicated. A good idea that needs to be extended to much more labels. 

Daft story.

Here's the complete story about Daft Punk from the issue #47 of The Fader. A good read, concluded with the YouTube video of "Electroma", the duo's movie. A weird movie, in the same vibe as Quentin Dupieux (aka Mr. Oizo)'s films. 

Tuesday, July 9, 2013

diggin guide - Porto (Portugal).

My first time in Porto, and I had everything planned, down to the printed Google map of the interesting record stores. Well, by "interesting" I mean : all the record stores, as I only had three listed. And it seemed it would be it. But for a city this size, it's enough if the quality is met. Once there, the list happened to be extended.

The first stop I did was at CD&GO. CD... well, bad start. But right when you enter the store, there are vinyl records displayed. That's the vinyl trash bin, as well as a few accessories to clean your records. The staff use them before putting the second-hand records into the crates for sale. On the ground floor, you can find a few records, announced as discounted, even if the discount is not as big as you could expect (like 15€ instead of 20€ or so). These are mostly new records. Upstairs is where you wanna be and dig. Both new and second-hand records are waiting for you. The selection is nice. Prices range from affordable to very expensive (for example, a limited edition of "In Utero" by Nirvana, labelled at 100 euros). There's a bit for everyone. All the records, even the second-hand ones, are sealed, but you can ask for a listening session or to look at them. Normally, the condition should be ok.
The place is architecturally quite modern, very lofty, very nicely decorated. The kind of place you would like to live at. The staff is friendly, speak English and will accept your foreign credit card. 
When looking for the place, look up at the end of the Rua Ceidofeita, when you see four Beatles in the sky, you hit the right location.  

Then I headed to Louie Louie, which stands as a reference in Portugal, as they have a store in Lisbon and another one in Porto. The main difference with CD&GO is that they won't take your foreign credit card, so be sure you have enough cash before digging. The shop is not far from the City Hall. Very simply laid down, two lines of crates in the middle and here you go. Some interesting stuff but maybe too much of that 80's sound for my taste. Once again, if you're looking for old Portuguese rock, you'll be disappointed, as these are rarities and as such, rarely hit such public crates. So, maybe you'll have to be satisfied with a couple of compilations (which they have) or reissues (which they have also). 
The listening station is not the most comfortable I've experienced, but still, they will let you listen to whatever you want, as that's good enough. 

As I was walking back to my hotel with my Louie Louie bag, I passed by a shop with no visible sign, but I saw records inside. So I got in. Actually, it was in my list, but I was expecting at least a sign outside, but nothing. This is Muzak. Awesome place. It's actually a space filled with several stands, the records occupying most of the space, but there is also some art and handicraft displayed and for sale, as well as vintage clothes. All this combined gives a nice vibe to the place. 
But, back to the records. Lots of rock and pop, a bit of jazz, a bit of Portuguesa, some classical, some Brazilian stuff, well a bit of everything. And on top of that, below the crates, more crates and more mess with non-organized records, most of them being discounted. And, what makes it probably the best record stores of all, beside the kind and helpful owner, is the listening station. Damn, that seat is comfortable, the turntable is just there, waiting for anyone willing to listen to some record. To be honest, I bought about a dozen records and must have listened to three to four times this amount of records. This place is really Porto's best kept secret in terms of record shopping, as there was nobody waiting in line to push me out of the listening seat.
While talking about record stores with the owner, he even gave me the name of a last one : Porto Calling.

The next day, I went to Porto Calling. It's located Rua ConceiƧao, behind the City Hall. When you see the big sign "Hotel Malaposta", you got the right location.
The first impression was bad. I explain : the sign on the door and information on the web state an opening hour at 11am. It was nearly 11:30am, and the shop was closed, with the lights out. Bad. I told myself "alright, let's get back at 2pm, after the lunch break, indicated once again on the front door". So, I came back at 2:15pm. Closed again, but this time with the lights on. "Those guys really have a problem with opening hours"... alright, I went for a walk, with the intent to let the guy take his leak, and found another record store just two streets away.

This one is called Materia Prima, but you won't find any sign saying that. It's written in really small characters (I guess that must be a trendy thing, leaving no trace of your existence, some kind of anti-conformism... or maybe not) on the front but looking at the shop, all you'll see is an art gallery. That's because the space is divided in two : an art exhibition at the front, and a record store/book store at the back, behind the back-door (I hope you still follow). These are two different businesses.
Somehow, Materia Prima reminded me of Flur, the record store located on the docks, in Lisbon (and which happened to be a competitor, as Materia Prima has a shop in Lisbon also) : same kind of selection, made of new labels, modern obscure stuff, brand new records, genres that I don't know (folktronica ?). You'll find some used records, mainly useless, under the main crates. The guy behind the counter is really nice, speaks French and English. You can listen to the records you want (even sealed) on a Stanton turntable. Materia Prima is the store you wanna shop at if you're into new concrete music, and stuff from small labels. They also have CD's. I wasn't sure about payment by foreign credit card, so I just handed cash. Fair prices, most new stuff being tagged at 20€.

After I bought one record from Materia Prima, I tried again Porto Calling, and the loud music told me it was open. Indeed it was. One thing record stores owners should know is that very loud music inside the store is not a good thing... anyway...
Porto Calling is mainly about rock. No stuff from nowadays, but only vintage music, either used or reissued. Actually, it's kind of the perfect fit with Materia Prima. Porto Calling have a strange way of organizing records, so you may have to go over all the crates. For example, artists are organized by first names : Neil Young is in the "N" section. You just have to know it, as it seems to almost be the same in other shops. A Technics turntable is available to listen to your selection in order to make sure you don't purchase shitty stuff.
Considering Portugal is home of quite a few labels specialized in reissues (Groovie Records, Golden Pavilion, etc.) and with Spain and its own labels close-by (Vinilissimo, Wah Wah, etc.), Porto Calling manages to get some interesting reissues at good prices (between 15€ and 20€ generally). They have some interesting Italian psychedelic/progressive records that I saw for the first time. Overall, the shop is a good spot. In a chat with the guy behind the cashier (he was not the owner), I learned that the guy from Muzak can be considered an expert at mixing old school 7" records in parties.
By the way, once again, cash is the better option.

Porto met my expectations, that I didn't place too high anyway. But it's a nice place for record shopping. Records are not overpriced, and for a city this size, having around 5 good stores is a good ratio. Plus, all the staff I met were nice, helpful, and took good care of their respective places.
Maybe the city is missing a few flea markets and/or impromptu locations, at least I haven't seen any. But again, if there had been one, it would probably had been filled with traditional folk, probably not the kind you're looking for.

Have a good dig in Porto !

Saturday, July 6, 2013

a sad place.


Some sad pictures of a sad place (at Les Mains Noires), now forgotten because it doesn't exist anymore. 
Somehow, I don't understand the author's sorrow. Why didn't he share the info earlier ? I mean... this sounds to me like the typical digger's selfishness that we all feel when digging. We don't share anything, we don't exchange tips, we just keep everything to ourselves... 
That's the saddest but truest part about it. 

Egon's record collection.

I realized just a moment ago that I didn't share one the latest posts by Dust & Grooves. And that's an important one, as it's the one showcasing Egon's record collection
A long-time friend of Peanut Butter Wolf and Madlib, involved in the foundation of both Stones Throw and Now-Again, Egon's the man behind the resurgence of many forgotten artists from all the continents. Lately, he has been obsessed with Africa, and most notably Zambia and its sub-genre, Zamrock. 
I need to warn you : Egon owns records you wouldn't dream of having because of their price. But well, he didn't get them for free, he paid for them. With "buckets of money", as he says. 

A very selective, but impeccable in taste, collection. 

Thursday, July 4, 2013

British Library.

Watch the British equivalent to the vinyl collection of Radio France. 


Hailu Mergia (bis).


Just one day before I blogged about Ethiopian keyboard player Hailu Mergia, the Washington Post coincidentally published an article about the same Mr. Hailu. A similar article emerged from the Washington City Paper

Why from these newspapers of Washington, exactly ? For those who live around DC or those who've been there on vacation or for a business trip, you already know there is a big Ethiopian community in DC. More than that, most of the taxi drivers there are Ethiopians. And one of those cab drivers is precisely Hailu Mergia. Yes, the same guy who sees his vinyl album going for sale over $3000 on the web. 

Nowadays, Hailu Mergia's life is far from music, but he still rocks the Yamaha DX7 with passion. 




amicalement.


It seems like Mr. Oizo is making a habit out of his new releases : he makes them available on the web for download, opening pre-orders for vinyl copies at the same time. A good move from Quentin Dupieux who, besides new music, also had a movie out recently ("Wrong Cops"). 
His new EP is titled "Amicalement". It contains 4 tracks, including one (short vocal) featuring by Marilyn Manson, also featured in Dupieux's latest movie. Mr. Oizo's touch is undeniable, electronic mixes with funky samples. A nice recipe.  

To download the new EP and live the Oizo experience, head to Oizo3000

"You look like shit when you dance". 

treasures at Winnipeg.



Diggers, you know it's pretty rare to find a sealed vintage original in a crate. But, be reassured, it's not impossible. One shop in Winnipeg, Canada, seems to be pretty well stashed with those rarities. it's called The Winnipeg Record & Tape Co. Can't do more explicit than that. 
How did the owner do that, you may wonder ? Well, he bought entire record stores which were about to close down with old untouched stocks. Pretty simple. 

Read the entire story at Winniepeg Free Press. And to get more acquainted with the stock, visit the website of the store, even if it looks like you made it in html coding in the middle of the 90's. 

Tuesday, July 2, 2013

Rick "God" Rubin.


Linked from the always good Pipomixes, here's a priceless interview of the most influential man in the music industry : Rick Rubin.
Who dat ? Rick Rubin. You don't know him but you know him. First, because you have to. Second because you listen to him everyday, so to speak. He worked in the pop genre, the rock genre, the rap genre, and other kinds of music.
It's just impressive.

And this man litterally looks like God. And he may as well be God. Proof ? He gets the cutest ladies.

Jess Rotter.


New stuff at Dust & Grooves with an interview of Light In The Attic's illustrator Jess Rotter
As usual, nice photographies (what an apartment !) and cool stories about record digging. Well, working at a record label surely helps (can it be considered cheating at this game ?), but still, those dedicated and passionate people are inspiring. 

riddim story.


In the current times of the music industry, heavily linked to the strict rules of intellectal property/copyright, the riddim is a strange (cultural ?) element. It looks like an open-source/copyleft/proto-Creative Common instrumental track, on which any guy with enough guts and charisma is allowed to toast. 
Well, I guess current riddim producers have sorted the legal issue out since the phenomenon appeared, but still, the scheme is pretty original, and quite sane in my opinion. 

Red Bull Music Academy just published an article about one of those riddims, the worldwide famous "Dem Bow", popularized by Shabba Ranks, and adapted until recently in the most annoying reggaeton anthems such as "Gasolina". Follow the history.